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About Victoria

Victoria is a director

I did not follow the beaten path, but paved my own way in art, writing more and more confidently my feminine name in the male profession.
 
I gave up stability in favor of creative development and the ability to express my feelings and thoughts to the general public.
 
I want to show by my example that a purposeful and passionate person can achieve a lot even without favorable starting conditions - specialized education, rich producers and connections.

 

When I started directing, I forgot about all the necessary primary needs. That's how I realized that it was mine.
 

When I direct, I don't feel like a woman or a man, I feel like I am it.
 

My projects are like children which all require attention and care in turn, and I am torn in a hurry between their production and PR.

Victoria is a writer

I have been writing since I was 10 years old.


When I feel very bad or very good, I pour my emotions on papers, and so it becomes easier for me.
I call it "unsubscribed".


I read so many books at the institute that when I want to direct something and it is needed to choose material,

I always come to the idea that I can write it by myself. 


I have never perceived writing as a separate gift, for me it is a given that haunts me.

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Interview with Daria Soboleva

Reviews of Victoria's work:

The story 'Unhappy', directed by Victoria Klipova, transforms human's pain into contemporary theatre art.
Victoria Klipova, the author and the play director, is an extraordinarily creative person. Without courage, creativity and the ability to understand people, it will not be possible to make the audience shudder and think, Victoria combined these features in herself and, with a thoughtful jerk, exposed other people's destinies in her brainchild.

There was some incredible explosion of emotions at the end of the performance. It was something completely new to me. Thank so much to the director for the job, to all actors and especially to the lead actress.

I really liked the beginning of the play – a kind of intro with the audience's involvement. Good idea of the director – you were just thinking about your own affairs and now you're already watching with interest what's going on on the stage. 

On November 9th my grandson Vlad and I attended the premiere of the play Lulu, based on the play by the German playwright F. Wedekind. It was performed by young Moscow directors Victoria Klipova and Evgeny Glukhovsky.  
I liked the symbolic and plastic ending of the performance, the actors' acting and the creative solutions of the directors in creating the images. The action was dynamic, vivid and easy to understand

There was a very interesting approach to the experiences of the characters in the story by the director; the psychedelic thoughts were vividly reflected in the scene by the change in the bright light colours, and clearly conveyed what is happening in the hearts of the characters at this point in their lives. There was also a realistic ending, because in our everyday lives, things don't always end well.

The emotional playing of the actors and the strong direction filled the audience with sustained soul-searching experiences, what is required of a good theatrical performance.

I liked the interaction with the audience very much, thank you for that, as a performance director I am close to this subject. It is obvious that the author and director of the performance Victoria knows what she is talking and writing about, she is in the "material", the theme is close to her, she cares and grasps it. 
Almost everyone of characters of the play finds a way out of their system; the final scene moves to tears. You sincerely feel for the character Kesha at this moment, he is the only one who doesn't go through the "door of freedom".

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